compotier porcelaine ancien sarguemines assiette 🥇 【 OFFRES 】

ANCIEN COMPOTIER ET 2 GRAND PLATS PORCELAINE DE LIMOGES HAV

ANCIEN COMPOTIER OU COUPE A FRUITS ET 2 GRAND PLATS EN POECELAINE AGOUREE ET D'ORE DE LIMOGES CFM/GDM FRANCE (HAVILAND) 19 éme siècle peintes de bouquets polychromes de rare qualité vers COMPOTIER DÉCOR FLEURS ET OR, SIGNEE/CFM/GDM FRANCE 21 Compotier:Diam 23 cm / H 4,5 cm 1 grand plats: Diam/28cm/32cm 1 tres grand plat: Diam/32cm/35cm TRES BON ETAT ! Pour plusieurs enchères gagnantes, réduction des frais de livraison Expéditions possibles à un point relais Mondial Relay, plus avantageux ou à votre domicile en colissimo Consultez mes autres objets ! Pour toute livraison à l'étranger, veuillez me contacter davidgogenberger Store Cliquez 1 fois sur les images, puis 1 seconde fois pour zoomer Haviland & CO History David CFM GDM GDA Limoges France “The production of Haviland China was begun in in Limoges, France, by David Haviland, A native-born American, formerly an importer of English ware in New York with his brother Daniel, under the firm name of D.G. and D. Haviland. The New York firm, engaged in importing Haviland China, was enlarged in by the admission of other partners, among them their brother Robert Barclay Haviland. David operated in France under the name of Haviland & Co., and New York firm acting as importer, distributor and seller of the products Robert Barclay Haviland had a son, Charles Field Haviland, who, at the age of nineteen was sent abroad in , to his brother David, then successfully established, to be employed in the offices and trained in office produce in relation to the importation of china. He continued in that employ until he was 24, when he married the granddaughter of the founder of the Alluaud Factory known as the Casseaux Works. The Casseaux Works were established in by Francois Alluaud. In he retired and deeded over his factory and the business to his four children, two sons and two daughters, in equal shares. As in those days, women under French Law could not engage in business, the operation of the factory was carried on by the two sons for the benefit of all. One of Francois Alluaud’s daughters, Marie Louise, married Charles Field Haviland, the year after she became a co-owner of the factory. At that period, French potteries made only whiteware or blanks. The purchasers then sent them to artists, mostly near or in Paris, to be decorated. This is the origin of the custom to stamp the manufacturer’s identification mark on the bisque before the glaze is applied, and the decorator’s mark over the glaze after it is decorated, thus distinguishing the maker of the ware from the decorator. In later years, in many instances, as in GDA china, for example, the decoration mark became merely a device for business competition. In that connection, it is interesting to note that David Haviland revolutionized the practice. Finding that French potteries refused to produce a finished article and to make shapes and patterns suitable to American tastes, and since his prime object was to have china produced for the United States, was what led David Haviland to establish his own factory in Limoges. Naturally, as he could not send blanks to this country and be returned by the customer to Paris for decoration, he developed the practice of employing artists in his factory, thus turning out a finished product. This led to serious riots by the Guilds. But David persisted and finally won out, introducing a progressive system in the manufacturing of chinaware. When Charles Field Haviland married he set up a decorating shop, business coming to him from the Casseaux Works. He continued in this until about , when he is said to have attempted manufacturing also. But eight years later, his wife’s two uncles, who operated the Casseaux Works having died, he assumed their management and control. He comb Pour plus d'information ou acheter,

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